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Betty Gold

American Artist

  • The Film: "A Year With Betty Gold" - watch with Vimeo
  • Home
  • News
  • Videos
  • Media
    • Articles
    • Books
    • Catalogues
  • About the Artist
    • Artist Statement
    • Solo Exhibitions
    • Permanent Collections
    • Government Commissions
    • Group Exhibitions and Symposiums
    • Lectures
    • Full Biography
  • Contact

Betty Gold: Edge, Color, Movement

March 13 – September 11, 2011 

Image credits (left to right): Majestad II, 2004-2005, Castellani Art Museum of Niagara University, New York, Tres Colores, 2007, Mallorca, Spain, Majestad III, 2009, The Pineschool, Hobe, Florida. 

Image credits (left to right): Majestad II, 2004-2005, Castellani Art Museum of Niagara University, New York, Tres Colores, 2007, Mallorca, Spain, Majestad III, 2009, The Pineschool, Hobe, Florida. 

Betty Gold’s sculptures grace public and private spaces all over the world. Her creative works include a diverse range of media. Edge, Color, Movement features a selection of her geometric serigraphs. These works are from three portfolios produced in California in the early 1970s “Arrows,” “Holistic Images” and “Surprise Packages.” Also featured is the recently acquired welded steel mono-chromed sculpture Majestad II (2004-2005), a gift of Mr. and Mrs. David Chatkin of Turtle Creek, Pennsylvania. This vivid blue work provides a stunning outdoor focal point for the south-west corner of the museum entrance. 

Gold’s artwork is defined by brilliant color and strong directional shapes. The serigraphs featured in this exhibition accentuate the bold, graphic style that Gold is known for and they reflect her interest in form, motion and space. She is a passionate believer in the geometric concept and says, “It never becomes tiresome, as I continue to find new ways in which to express its truth and universality. Every new project is like the first—challenging, fulfilling and exciting.” 

Her large outdoor steel sculptures are angular and sharp without sacrificing a sense of movement and liveliness. With surfaces finished in rich mono-chromed color or left raw to rust to a velvety patina, the bold simplicity of her geometric work is beautifully suited for display in open public spaces. Gold’s sculptures are featured at sculpture parks, university campuses and city centers such as Baylor University, TX; City de Bratislava, Slovakia; City of Palo Alto, CA; Duke University Medical Center, NC; Fitzgerald’s Park, Ireland; Hartwood Acre Park, PA; Northern Illinois University, IL; Purdue University, IN; The Ronald Reagan California State Building, CA; Virginia Commonwealth University, VA and the Walker Hill Art Center, Seoul, South Korea. 

Dividing her time between Venice, California and Palma de Mallorca, Spain, Gold has traveled extensively, studying and lecturing around the world. Her work has been collected and widely exhibited at museums and galleries across the United States, Europe, South America and Asia. 

Gold was born in 1935 in Austin, Texas, and attended the University of Texas at Austin. After graduating with a major in elementary education and a minor in art history, she apprenticed with sculptor Octavio Medillan in Dallas, Texas. Medillan (1907-1999) was a renowned sculptor, educator and founder of the Medellin School of Sculpture in Mendocino, California where he taught students in a variety of sculptural media. 

Gold was honored with a major retrospective exhibition in 2005 at the Casal Solleric Museum in Palma, Spain. “Betty Gold—35 Years of Sculpture" filled ten rooms of the historic castle. Other artists presented at the Casal Solleric Museum include Columbian artist Fernando Botero (b. 1932) and Mexican painter Frida Kahlo de Rivera (1907 -1954). 

Recent international exhibitions were mounted at the United States Embassy Invitational in Merida, Mexico, the Biennale in Vancouver, British Columbia, Canada, and three exhibitions in California at the University of California Art Museum, Santa Barbara, The Buschlenmowatt Gallery, Palm Desert, and the Santa Barbara Museum of Art. 

Major museums housing her work include the Albuquerque Museum of Art, NM; Art Museum of South Texas, TX; Birmingham Museum of Art, AL; Civica Galleria d’ Arte moderna, Gallarate, Italy; Georgia Museum of Art, AL; Hawaii State Foundation of the Arts, HI; Indianapolis Museum of Art, IN; Museo Nacional Centro de Arte Reina, Madrid, Spain; New Orleans Museum of Art, LA; New York University, NY; The Oakland Museum, CA and the Palm Springs Desert Museum, CA. 

Michael J. Beam, Curator of Collections and Exhibitions

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tags: castellani art museum, majestad, mallorca, the pineschool, betty gold, sculpture
categories: news
Tuesday 03.01.11
Posted by Betty Gold
 

Betty Gold: The Mallorca Series

Mallorca II, 2012-2014Powder coated steel sculpture28 × 24 × 22 in71.1 × 61 × 55.9 cm

Mallorca II, 2012-2014
Powder coated steel sculpture
28 × 24 × 22 in
71.1 × 61 × 55.9 cm

The love affair between U.S. artist Betty Gold and the city of Palma de Mallorca in Baleares, Spain, unfolds lyrically in a new series of seven painted steel sculptures.

The Mallorca sculptures — each casting curious shadows from their angular folds — exude a timely optimism, a message cast in geometry that seems to say that if you take time to study a situation, or an object, you will likely find new perspectives, dynamic ideas, and more thoughtful solutions.

“When I found geometry, it’s like when you find your essence,” says Gold, who lives part time in Mallorca and Venice, California. “Working in a geometric form takes tremendous organization. This is how I live and that’s how I express myself through my art.”

Gold first visited Mallorca in 1999 to participate in a symposium; she also installed a sculpture from her Tirón series there. Commissions followed, and she fell in love with the town and its people. She finished the Tirón series there in 2002, purchased an atelier in 2004, and was feted in 2005 with a 35-year retrospective exhibition at the Casal Solleric Museum in Palma de Mallorca. (Incidentally, the U.S. Embassy in the Slovakian capital of Bratislava commissioned another large piece from the series, Tiron IV, for the garden of the presidential palace.) Meanwhile, Gold had begun working on the Mallorca (M.A.) series.

Gold’s sculptures continue to break the physical boundaries of geometry, as well as encompass a minimalist sensibility akin to Ellsworth Kelly and the playfulness of Joan Miro. Yet, she emerged a bona fide pioneer as a sculptor of Cor-Ten steel and, in a male-dominated field, produced a gutsy body of work that spans nearly four decades.

After Gold installed a new, large-scale piece at last year’s Vancouver Sculpture Biennale in British Columbia, Canada, she put the final shine on the seven M.A. maquettes. The large-scale M.A. IV (2005) belongs to the permanent collection at Palm Springs Art Museum.

Her next series, Sant Elias IX, refers to the street where she lives in Mallorca, and the pieces are identifiable by their cathedral- or castle-like pinnacles.

As usual, the simplicity and sophistication of the geometry belie the dynamic and compelling nature of Gold’s work — thoughtful and jutting with endless possibilities.

- Steven Biller

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tags: mallorca, Baleares, Tirón, geometry
categories: news
Sunday 01.20.08
Posted by Betty Gold
 

Un homenaje a Fra Juníper Serra

Betty Gold: «Mi pensamiento es geométrico y esto se aprecia en mis obras»

La escultora prepara una pieza en homenaje a Fra Juníper Serra para Palma

IOLANDA PERICÀS
La artista norteamericana Betty Gold (Austin, Texas, 1935) descansa estos días en el Port de Sóller, donde pasa temporadas. De hecho, su última serie de esculturas monumentales lleva por título «Sóller», «porque Port de Sóller era muy largo», en honor al lugar donde la artista se inspira. Aprovechando su estancia en la Isla, Gold ha visitado la Cerrajería Artística Seguí, donde piensa trabajar en una escultura para Palma. -Explíquenos la pieza en la que está trabajando.-Es una escultura de gran tamaño, de más de cuatro metros de alto, que estará hecha de acero cortén, como la mayoría de mis obras exteriores. Será como una especie de gran hoja de papel doblada y recortada de forma muy concreta, que en este caso dejaré sin pintar, al natural, para que la pieza vaya cambiando con el tiempo y sus efectos. La obra será un homenaje a Fra Juníper Serra, porque vivo en California y la pieza es para Mallorca. Una relación obvia.

-Usted siempre trabaja con las formas geométricas, ¿por qué?-Es mi manera de pensar que se refleja en mis creaciones. Mi pensamiento, en cierta manea, es geométrico y esto se pone de manifiesto en mis obras. Además, siento un gran interés por la arquitectura, que también se basa en la geometría de las formas. Cuando he de trabajar una escultura de gran formato no me quiero perder ni un sólo detalle, porque los ángulos y los cortes han de ser perfectos. En mis piezas lo importante es la suma de todos los elementos que la conforman, como en las personas es importante la suma de cuerpo y pensamiento.

-¿Cuál es el proceso que sigue a la hora de crear una escultura de grandes dimensiones?-Todas mis obras, pequeñas o grandes, empiezan con una hoja de papel a la que voy dando forma. Después dibujo la pieza y hago una maqueta. Antes, cuando empecé con la escultura, era yo la que realizaba todo el proceso, desde la idea a la materialización. Ahora tengo asistentes que me ayudan, sobre todo en las piezas grandes, que a menudo las tengo que hacer fuera del estudio por una cuestión de tamaño.

-Usted ya tiene una escultura en Palma. -Si, fue con motivo de la Universiada. Aquel mismo año me enamoré de Mallorca. Desde entonces vengo a menudo y aquí trabajo tranquila, dedicándome sólo a crear.

-¿Qué piensa del futuro Museu del Baluard? -Creo que es una idea magnífica y necesaria para un lugar como Mallorca. El edificio es precioso y en él se combina lo antiguo, es decir, la propia construcción, con el arte contemporáneo. En este sentido es muy destacable la colección de Pere A. Serra, presidente del Grup Serra. No conozco ninguna otra persona con más pasión por el arte y su determinación ha hecho posible que el museo fuera una realidad. Será muy importante para la ciudad.

-¿Cómo ve el panorama artístico actual? - Creo que en España hay mucho y muy buen arte. No hemos de olvidar que Miró, Picasso y Dalí son los tres artistas que han marcado el siglo veinte. Por lo que se refiere a artistas más contemporáneos me gusta mucho la obra de Pablo Serrano y también la de Chillida. Es una lástima que hombres como él no puedan vivir 300 años.

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tags: Friar Junipero Serra, Es Baluard Museum, mallorca
categories: news
Saturday 05.31.03
Posted by Betty Gold
 

© 2016 Betty Gold